Clip-on lavalier microphones are essential accessories of any DSLR video kit, for it makes the filming of documentary and videomaking, especially, of narrative, tutorial, and training works easy. However, not all wireless lavalier lapel microphones are compatible with DSLRs. Some would require expensive DSLR audio adapters to make those lavaliers work well with DSLR cameras. Hence, if you intend to buy a lavalier mic for your DSLR, make sure that you buy the compatible one for your DSLR camera.
Documentary or filming projects may sometimes run into some gear-related problems that could slow down the completion of your projects. You surely want to avoid such problems when documenting or filming something. Hence, you want to use hassle-free gears like wireless lavalier microphones whenever you are shooting a film, documentary, MTV or interview with singers.
Having wireless lav mics in your DSLR video kit is essential when you are making a documentary film or interview. The reason for this is straightforward—lavalier microphones are very useful in capturing audio, and they can be easily hidden from sight. But before you zero in on a particular brand of a lavalier microphone, you should know the important factors when buying a lavalier mic.
Most Recommended Lavalier Mics For DSLR
Your choice of Lavalier microphones would either facilitate your works or make them difficult. We have delineated here 5 of the most highly recommended lavalier mics for DSLR cameras:
1) Sennheiser AVX Digital Wireless Microphone System
The Sennheiser AVX is a perfect option when it comes to film projects. It features an ultra-compact receiver that readily suits the XLR Audio input of DLSR cameras and recording devices. Its durable transmitter is reliable and portable and works well outdoors.
The Sennheiser AVX is a plug & play system. So, it is very easy to set up. It also readily switches on/off using its P48 Phantom power. Moreover, it features an optimized dynamic range.
It comes with a body transmitter along with a high-quality lavalier mic for DSLR Camera. It also features an implode receiver as well as al the important components for working professionally using DLSR cameras. Its receiver and digital transmitter are automatically set to the free channel within the frequency of 1930 Hz. Moreover, its receiver is very light and indiscrete.
Its receiver is ingeniously engineered and a nice improvement from the previous on-camera receivers. It will readily plug into the XLR input, especially if you are using broadcast-type cameras and camcorders. It also requires no cable. Lastly, it operates in a 1.9 GHz frequency range that is license-free. Thus, you can readily use it in many countries without having to register it.
2) Sennheiser EW 112P G4-B Omnidirectional EW System
The Sennheiser EW 112P G4 surely has a great reputation among video makers and filmmakers, owing to its durability and reliability. It is frequently used in countless television broadcast, feature documentaries, and films. The evolution of wireless G4, on the other hand, provides unparalleled flexibility for field recording and videomaking projects. G4 models, however, present a robust wireless microphone system that provides excellent sound quality, ease of use, and simple mounting procedure. These two lavalier mic models are specifically engineered for use by broadcasters in the field. Both are ruggedly built and provide an all-in-one wireless system. Both wireless systems likewise feature a powerful and reliable wireless transmission within the range of up to 100 meters and also provide 8 hours of operation time likewise.
The G4 surely works well with DLSR cameras. Its kit is equipped with two distinct camera connection options. First, it has a connect option for bigger XLR-based cameras, while it also has another connection option for standard 3.5mm DLSR audio jack. It also works well with the Canon, Sony, Panasonic, Nikon, and many other types of DSLRs brands.
3) Movo WMIC80 UHF Wireless Lavalier Microphone System
This is a reliable wireless lavalier microphone system that can operate over JHF frequencies from 584MHz to 607.4MHz. It presents dual groups of 48 channels and can easily operate and connect from over 330 feet away. This system can also provide you with reliable and satisfactory audio for all your different audio recording needs.
This system includes an omnidirectional lavalier microphone that could provide uniform frequency response while limiting unwanted pickup of noise. You can easily clip this mic to your shirt using the lapel clips, while at the same time, you can easily attach the transmitters to your belt or waistband. It is therefore very comfortable to use and works perfectly from a distance. Out-of-the-box, you will receive a wireless receiver, two bodypack transmitters, 2 Omnidirectional lapel mics, two lapel clips, two windscreens, two belt clips, camera shoe mount, 3.5mm output cable, XLR output cable, system carrying case, and a user manual.
4) Wireless Microphone Comica CVM-WM100
The Wireless Microphone Comica CVM-WM100 features a one-two wireless mic that makes use of UHF wireless technology along with an LCD lattice screen. It features 48 channels along with 16-levels adjustable volume. Moreover, it comes with a built-in infrared Pair Code along with M/S Switch, and Real-time shielding. It also comes with an anti-noise performance feature.
This mic is affordable and is not difficult to use. Moreover, it is popular among mic users as shown by the reviews left by customers who had used this mic. When using this mic, however, you should ensure that you protect its antenna from any damage.
Its antenna, of course, affects the working distance. Moreover, when you perform infrared code matching, you should keep it at least 30-cm away. Otherwise, you will get weak communication and may experience failure of the code.
To avoid short-term current interference, you should set it beforehand when performing S/M switching. If you are using a smartphone, you should purchase the TRS-TRRS audio-cable adapter. You should also set your phone on a flight mode if you want to avoid interference.
The maximum working distance of COMICA CVM-WM100 PLUS is 328 feet and 196 feet if in an area with obstacles. However, when working within a distance of 160 feet, you should switch it to a low-strength mode for reduced power consumption. You can also switch to the high-strength mode when working at a distance of 160 feet for improved audio quality.
5) Rode RodeLink Wireless Filmmaker Kit
This Rode Rodelink model is a wireless microphone system for both video and film production. It comes with a lavalier microphone, RX-CAM receiver, TX-Belt wireless transmitter, and captive TRS cable. This system makes use of a Series II 2.4 GHz 128-bit encrypted digital-transmission signal which is characterized by continuous monitoring and hopping between different frequencies for finding the strongest signal. It also offers a high signal-noise ration and provides digital transmission the with high-resolution 24-bit 44.1 kHz. Its audio signal range of up to 328 ft. You can simultaneously use up to 8 systems with this system.
The Rodelink Wireless also comes with an iSeries Case from SKB. It is designed for accommodating the Rodelink transmitter and receiver bodypacks. These bodypacks also come with accessory pockets that can readily hold other accessories and the lavalier mic. It also comes with a Watson 4-Hour Rapid Charger together with a 4 AA NiMH Rechargeable Batteries.
6) Sony ECMAW4 Wireless Microphone
Sony ECMAW4 Wireless Microphone is a battery-powered wireless microphone system that you can virtually plug into a video camera, DSLR, or any recording device that comes with a 3.5mm mini-jack mic input. Its transmitter comes with a built-in mic. You can also utilize another external mic that comes with a 3.5mm output in place of the built-in mic.
It’s receiver unit comes with a talk-back function that lets the camera’s operator communicate with the subject with ease and clarity. The Sony ECMAW4 also comes with an optimal range of 150 feet.
The Sony ECMAW4’s transmitter and receiver look identical, though each is labeled receiver or transmitter. Moreover, it is straightforward to use. You only power the receiver and transmitter on, and they pair instantly. Then, you plug the cable into the receiver and then plug the other end into the camera.
7) Comica BoomX-D2 2.4GHZ Dual Wireless Lavalier Microphone
The Comica BoomX-D2 makes use of the most advanced 2.4G wireless technology, so you can expect this lav mic to be of top grade along with its TFT lattice screen. This lav mic is a portable miniature wireless mic that can pick up signals from 50 meters away. It also exhibits real-time monitoring along with a Mono/stereo switch.
It comes with 2 audio input methods, which you can use for various applications and occasions. You can use this mic to solve persistent issues and inconveniences when shooting video. It also comes with a rechargeable battery. When fully charged, its battery can work up to 5 hours of continuous usage.
And it also features a maximum range of 164 feet in an open area and 60 feet in an area with obstruction. It’s also compatible with many types of cameras that come with a 3.5mm interface. You can use this lav mic system for any application like YouTubing, Livestreaming, Vlog recording, podcasting, interviewing, and many other applications.
8) LENSGO LWM-308C
The LENSGO LWM-308C lav mic system is a wireless lav mic system compatible with many cameras made by Sony, Canon, Nikon, and many other cameras. It is also compatible with XLR camcorders, Android and iPhone smartphones. You can use this wireless lapel mic for YouTubing, Vlogging, interviews, and many other applications.
It can record crystal-clear and distortion-free audio. It uses international UHF wireless transmission and comes with one bodypack transmitter that is triggered by one receiver. You can change its frequency by pressing “+” or “-” button on its transmitting end while the receiving end automatically matches the transmitter.
It comes with a lattice LCD. It also features HD display battery power, transmitter frequency, and dynamic volume bar. When recording, you can monitor the recording in real-time to ensure that it is working well. It also comes with 15-level volume control adjustments.
Each system’s unit comes with a built-in 12000mAh battery (rechargeable). When fully charged, this system will work for 4 hours. Its farthest range is 164 feet in open areas, and its ideal receiving range is around 98.4 ft receiving range.
9) BOYA BY-WM6 UHF Wireless Omnidirectional Lavalier Lapel Microphone System
The BOYA BY-WM6, as an omnidirectional microphone, is easy to set up and is perfect for use in videography, YouTube video, broadcasting, wedding, and any other applications. It features a plug & play system that works well with DSLR, Digital Voice recorder, camcorder, and many more.
The BOYA BY-WM6 UHF Wireless package consists of a transmitter, receiver, and lavalier for DSLR. It is indeed an off-wire mic system that is specifically intended for DSLR video shoot. It is capable of recording pure audio without any noticeable distortion.
As an omnidirectional microphone, it is distinctive sensitivity, while its accompanying system offers a very stable signal up to 100 meters. It also comes with clips for easy belt-fastening along with 1/4-inch fuse threads for quick installation on a bracket Magic Arm or tripod. Lastly, its devices can usually run along 584-608 MHz bandwidth.
You’ll be surprised that its receiver and transmitter come with bright displays that let you readily read information. Additionally, it comes with a long battery life of up to 6 hours, enough to complete your most important projects. Lastly, its lightweight design with a pre-install waist belt lets you comfortably wear it in whatever situation you are in.
10) Audio-Technica ATR3350xiS (ATR Series)
DSLR cameras usually come with a default audio input that you can use when filming. Yet, the quality of this default audio input is not that good. Hence, if you intend to replace it, you can replace it with an Audio-Technica ATR3350 Lavalier Microphone that operates at 50 to 18,000 Hz.
The Audio-Technica ATR3350 is a newscaster-style mic lavalier mic that is omnidirectional. It is designed for accurate and intelligible voice reproduction. It is also a condenser mic that is perfect for video recording. Moreover, it is a big favorite among sports, dance, or aerobics instructors. It also comes with a low-profile design for minimum visibility.
This lavalier mic comes with a dual-mono 1/8 output plug that lets you connect it with a video camera or DSLR. It also has a handheld audio recorder’s stereo input for recording audio on both right and left channels. Since it features an Omni-directional pickup pattern, it offers full coverage. It also comes with a tie clip, foam windscreen, and LR44 battery.
As a condenser mic, it necessitates the use of a small battery as its power source. Hence, it comes with the LR44 battery with a 4 to 5-hour life. It does not pick up well the low-frequency sounds. Thus, it is perfect for podcasting and video production. It also comes with a handy on/off switch for easy turning on and off.
Last update on 2021-05-13 / Affiliate links / Images from Amazon Product Advertising API
Buyer’s Guide: Factors To Consider When Buying A Wireless Lav Mics For DSLR Recording
Not all wireless lav mics work well with DSLRs. More often, you would need a heavy-duty DSLR audio adapter when using a lav mic, and such an adapter is generally expensive. So, before you buy a DSLR Camera’s wireless lav microphone, you should know the following important factors that you need to consider when buying a lav microphone for your DSLR camera:
Know the Type of Lavalier Microphone
Lavalier Microphones generally come in different types, and the difference usually lies in their housing, clips, and mounting styles. You can go for omnidirectional lav mics or directional lav mics. You can also either select a wired or wireless lavalier mic. Lavalier microphones also differ when it comes to designs. Some are more durable, while some are moisture resistant. Others, however, are more sensitive to high frequencies.
Another factor worth considering is the noise-management element of the lavalier microphone. As you work with lav mics, you will readily discover that fabric noise and wind are usually the main enemies when you are working with lavaliers. Thus, you should learn the techniques on how to minimize mic movements. Some of these techniques include isolation mounting and clever mounting. Remember that silky garments tend to produce more noise than other types of fabrics like cotton.
They are usually attached using three different methods. These three methods include the use of clip, strap, or adhesive. Your choice, however, on attaching your lavalier mic should depend on the production type that you are engaging in. It should also depend on wardrobe limitations, permissible visibility, and potential mounting points.
Mobility and Location
You should consider the factors of location and mobility. If you are going to stage a conventional talk show wherein the movement of the guests and the show hosts are predictable, you can easily go for lavalier mics that could be readily attached to straps and collars. You may require more than a mic clip in some cases or go for a clear-mount setup.
In an event with low visibility and high mobility, you need to carefully secure the mics and mount them discreetly. In such a case, you can also use a lav’s strap that can completely hide the mic under the user’s clothing. With this setup, you can ensure that the mic will stay in place despite the high mobility setup of your show.
Ease of Hiding the Mic
There may be various reasons why we buy and use lavalier microphones, but one of the primary reasons is that of ease of hiding it. Hence, if ever you would buy a lavalier mic, you should consider this reason; you should consider its “hide-ability.” Some lavalier mics are designed to be hidden from sight or frame during the video recording session using your DLSR camera, while some can be readily hidden underneath collars or shirts.
Consider Its Noise Level
The noise factor should be foremost in your consideration when buying a lavalier lapel microphone for your DLSR camera. Since Lavalier mics come at relatively low prices, the temptation to settle for cheaper ones would be a great tendency. Some omnidirectional mics usually tend to be of low quality and pick up much noise, especially, after weeks of long usage. In such case, you will be required to minimize its audio input by using software for isolating noise. This move to minimize the audio usually sacrifices the low frequencies of audio inputs. Hence, it would be good at the onset to go for those lavalier mics that are of quality yet expensive.
Omnidirectional Lavalier Mics VS Directional Lavalier Mics
Lavalier Omnidirectional mics are generally easier to mount than those of the directional ones. Moreover, they can pick up sounds from different directions. Hence, you should opt for this type of lapel mics if you need to capture sounds from different directions during filming or videomaking. If you would use the lapel microphone inside a controlled and closed environment, you should go for directional mics, for this type of mics are mostly used in controlled and closed studio environments like in the newsrooms.
Wireless VS Wired
Several decades ago, it would have been preposterous to recommend the wireless mics for video recording and filmmaking. Here are the reasons why? First, they were expensive then. Moreover, the quality of transmissions of sounds using the lav or lapel mics were highly questionable then. But with the improvement in transmission technology and the availability of less expensive but quality wireless mics, it is no longer unreasonable to recommend a wireless mic to filmmakers and video makers. If you are making a video film, therefore, you should without qualm opt for the wireless lapel mics for their use offer greater advantage now over that of the wired ones.
Frequently Asked Questions
To further understand the value of lavalier microphones for DSLR, we have collated some of the frequently asked questions about mics for DSLR Camera. Here are some of these FAQs:
Which is Better: Omnidirectional Lavalier Microphones or Directional Lavalier Microphones?
There are some advantages concomitant with the use of omnidirectional lav mic. First, it is more forgiving compared to a directional mic when it comes to the manner you mount it on your subject. It also picks up sound from different directions, and for this reason, it captures sound better. If you have a setup that requires capturing sounds from different directions, the omnidirectional fits this setup well. However, if you want to have a controlled capturing of sound, then, you should opt for the directional lav mic.
Are Wireless Lavalier Mics Good for Interview Filming?
Any lavalier mic is good for use in interviews. However, if you want a more precise capture of an interview, you may also want to consider the use of a shotgun microphone that you can mount on a boom pole. If you are interviewing, for example, a person whose hands are very expressive whenever he/she talks, then you should consider the use of shotgun microphones to prevent the person you are interviewing from accidentally hitting the mic. Moreover, you can save time with shotgun mics because rigging the person you are going to interview with a lavalier mic usually takes time. Plus, a shotgun mic can be easily hidden from the camera.
What Are the Advantages of Using Lavalier Mics for Video Filming with DSLR?
The biggest advantage that a person can also move around freely if he is equipped with a wireless lavalier mic. Wireless lav mic is also perfect for capturing walk-and-talk scenes.
However, the downsides of using wireless lavalier mics include the possibility of wireless interference that may disrupt the recording. Moreover, most wireless mics are omnidirectional. This means that they can pick up unwanted noise from the ambient environment.