7 Best Audio Interfaces for Logic Pro X [Complete Guide]

(Last Updated On: November 23, 2022)
Best Audio Interfaces for Logic Pro X

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Apple’s Logic Pro X is one of the most powerful and sophisticated DAWs available today, developed by one of the most valuable companies in the world. And if you want to take full advantage of Logic’s capabilities, you will definitely need an audio interface. How do you decide which audio interface is best for you when there are hundreds of options on the market? We’re here to give you what we think are seven of the best audio interfaces to use with Logic Pro X.

A high-quality audio interface can drastically improve your Logic Pro X recording experience. We could go on all day about the great benefits of owning an audio interface, including how it will enhance sound quality, enable you to hear details in your tracks that you’ve never heard before, and make your sound clearer.

The RME Babyface Pro FS is one of the best audio interfaces we’ve discovered to be most compliant with Logic Pro X. It delivers premium audio quality, is incredibly simple and quick to set up with Logic Pro X, and runs smoothly without any compatibility or sound issues.

7 Best Audio Interfaces for Logic Pro X

1. RME Babyface Pro FS

RME is one the best audio gear companies in the world, with an unmatched reputation for quality, durability, and performance. The Babyface Pro FS is one of many fantastic audio interfaces by RME that’s an upgrade to the Babyface and Babyface Pro. Despite being maybe the most costly audio interface on our list, it is unquestionably worth the investment.

Main features/specifications:

  • Elite 24-bit/192 kHz A/D and D/A conversion for maximum performance and pristine sound.
  • Two preamps.
  • 12 Analog inputs and 12 outputs.
  • Nearly zero latency for fast monitoring and processing.
  • USB and USB-C connectivity for easy plug-and-play on your PC, MAC, and iOS.
  • MIDI I/O for your controllers and synths.
  • SteadyClock FS circuit for lowest jitter.
  • ADAT/SPDIF I/O.
  • 2 Stereo headphone outputs to privately enjoy your music.
  • 48V of phantom power. (Selectable On/Off)
  • K-slot for theft prevention.
  • Measurements: 1.4” x 4.25” x 7.1″. Weight: 1.5 lb.

Pros:

  • Great build quality.
  • Compact and lightweight.
  • Highly versatile.
  • Easy to use.
  • Nearly zero latency.
  • Powerful and fast and delivers pristine sound.
  • Easy connectivity.

Cons:

  • Expensive.
  • Isn’t compatible with iPads.

The RME Babyface Pro FS is a powerful addition to your sound system setup that boasts flawless Logic Pro X compatibility. It’s remarkably compact, provides a warm, full, crystal-clear sound, and is incredibly fast, even with RME’s USB 2.0 drivers. If you have the resources, we strongly recommend purchasing the RME Babyface Pro FS.

2. Universal Audio Apollo Twin X DUO Heritage Edition

The Apollo Twin X DUO Heritage Edition by Universal Audio is one of the most powerful and clean-sounding audio interfaces you can find on the market today. Universal Audio is the leading manufacturer of audio interfaces that focuses on building high-quality recording gear and using Unison technology to deliver superior, high-quality sounds. Combine these two elements, and you’ve got the Apollo Twin X DUO Heritage edition that takes the lead on today’s list.

Main features/specifications:

  • Two Unison-enabled preamps that deliver clear, powerful sound and enable you to work with plugins that capture the sound of classic preamps like Helios, Neve, API, Manley, and many more with zero latency.
  • Elite 24-bit/192 kHz A/D and D/A conversion for maximum performance and pristine sound with 127dB dynamic range.
  • Dual Core processing that provides extra power and speed along with your computer to run the necessary plugins for your recording session.
  • Thunderbolt connectivity for low latency, fast connectivity, and great stability.
  • LUNA, a music production software that lets you create music with a fast workflow.
  • A number of free UA plugins like the Teletronix LA-2A, 1176LN, Pultec EQs, and the UA 610-B Tube Preamp & EQ, and many more.
  • The Heritage edition features the complete plug-in collections from Teletronix,® Fairchild,® Pultec,® Helios,® and UA.
  • Two line outputs and one optical ADAT/ S/PDIF input that lets you transmit digital audio signals.
  • Built-in Talkback mic that lets you communicate with the artist.
  • Measurements: 6.31” x 6.2” x 2.6″. Weight: 2.4 lb.

Pros:

  • Great build quality.
  • Features Unison-enabled mic preamps for realistic and clear, high-quality sound.
  • Nearly zero latency.
  • Features several high-end free plugins.
  • Plenty of user controls.
  • Free music production software built by UA.
  • Powerful and fast and delivers pristine sound.

Cons:

  • ADAT/ S/PDIF input, but no output.
  • Expensive.

Today’s winner is, without a doubt, the Apollo Twin X DUO Heritage Edition from Universal Audio because of its outstanding features and sounds. However, if you’re on a tight budget, you can check out the less expensive audio interfaces on UA’s website. All of Universal Audio’s Apollo audio interfaces feature Unison technology, so rest assured that even the cheaper options also feature the renowned Unison-enabled preamps that UA is known for.

3. Apogee Duet 3

The Apogee Duet 3 is another top-quality audio interface with premium features that help musicians and music producers shape their sound using top-tier components and preamps that Apogee is known for. The musician who is constantly on the go and looking to have a high-end interface will love how small and portable (and attractive) this audio interface is.

Main features/specifications:

  • Elite 24-bit/ 192 kHz A/D and D/A conversion and digital clocking for maximum performance and pristine sound.
  • Two Apogee microphone preamps with +65dB of gain and +48V of phantom power, built using Apogee’s Advanced Stepped Gain Architecture.
  • Scratch-resistant top with an aluminum body that protects it from damage.
  • Nearly zero latency and distortion due to its hardware DSP
  • Class-A AD/DA Converters and top-quality analog circuitry.
  • USB-C connectivity for easy plug-and-play on your Mac or PC.
  • 1 Stereo headphone output to privately enjoy your music.
  • 2 x 1/4″ Analog outputs and 2 x 1/4″ (instrument), 2 x XLR (mic/line) analog inputs.
  • Measurements: 11.9” x 7.5” x 1.1″. Weight: 2.35 lb.

Pros:

  • Robust build quality.
  • Attractive, compact design.
  • Easy to use.
  • Nearly zero latency and distortion.
  • Extremely powerful onboard hardware DSP.
  • Powerful and fast and delivers pristine sound with amazing preamps.
  • Easy connectivity.

Cons:

  • Somewhat expensive.
  • Complicated direct monitoring.
  • Could be too basic for some.

If you’re searching for superb sound quality, portability, and stunning design, you should definitely have a look at the stylish Apogee Duet 3. Even though the Duet 3 costs more than other audio interfaces with similar features, you can never go wrong with Apogee’s excellent preamps and clear sound, which the company has been delivering for decades.

4. Focusrite Clarett 2Pre

The Focusrite Clarett 2Pre is the first of three audio interfaces in the Focusrite Clarett line designed to produce the highest-quality sound. It is one of the most well-known brands of audio equipment currently available and produces some of the best audio interfaces that we have discovered work best with Logic Pro X. You won’t run into any compatibility or delay issues using it with Logic, and it will provide a very smooth workflow.

Main features/specifications:

  • Elite 24-bit/192 kHz A/D and D/A conversion for maximum performance and pristine sound.
  • Two Clarett⁺ preamps with “Air mode,” which simulates the company’s legendary ISA console transformer.
  • 2 Analog inputs and 4 outputs, and 8 digital outputs.
  • Super-low latency that lets you instantaneously monitor effects from native plug-ins.
  • Low noise and high SPL capability of 119dB preventing distortion.
  • USB and USB-C connectivity for easy plug-and-play on your Mac or PC.
  • MIDI I/O for your controllers and synths.
  • 1 TOSLINK Optical (ADAT) in.
  • 1 powerful Stereo headphone output with level control to privately enjoy your music.
  • JFET instrument inputs a vast audio bandwidth that preserves guitars’ true tone and character.
  • Halo indicators that help you avoid clipping.
  • 48V of phantom power. (Selectable On/Off)
  • Exclusive software bundle from Focusrite, XLN Audio, and Antares.
  • Measurements: 8.27” x 6.34” x 2.17″. Weight: 3.0 lb.

Pros:

  • Acceptable price.
  • Great build quality.
  • High SPL capability.
  • Exclusive software bundle.
  • Easy to use.
  • Super low latency and distortion.
  • Focusrite AIR mode.
  • Powerful and fast and delivers pristine sound.
  • Easy connectivity.

Cons:

  • 1 x Optical (ADAT) in, but no out.

The Focusrite Clarett 2Pre is the slightly more expensive and improved version of the Focusrite Scarlett 4i4 that we’ll discuss next. We strongly recommend purchasing both of these interfaces as they are both of the finest quality and ensure excellent results. They’re both very impressive interfaces that will improve your sound and accompany you as you advance as a music producer. But in the end, it all comes down to your budget and skill level as a producer. If you’re a beginner, the Focusrite Scarlett 4i4 3rd Gen should be more than acceptable. If you’re an intermediate producer with a higher budget, it’s best to go with the Focusrite Clarett 2Pre.

5. Focusrite Scarlett 4i4 3rd Gen

The Focusrite Scarlett 4i4 3rd Gen is another audio interface that is compatible with Logic Pro X. It has long been a favorite among beginner and intermediate musicians and music producers, and for a good reason. It delivers crystal clear sound. It’s powerful, affordable, and highly versatile, offering not only a bright, rich sound but also a free plugin bundle to give you the extra creativity you didn’t know you needed.

Main features/specifications:

  • Elite 24-bit/192 kHz A/D and D/A conversion for maximum performance and pristine sound.
  • Two award-winning, upgraded 3rd-generation Focusrite preamps with “Air mode,” which simulates the company’s legendary ISA console transformer.
  • The interface’s inputs and outputs are equipped with analog protection circuitry to protect it from power surges.
  • Super-low latency that lets you instantaneously monitor effects from native plug-ins.
  • USB-C connectivity for easy plug-and-play on your Mac or PC.
  • MIDI I/O for your controllers and synths.
  • 1 Stereo headphone output to quietly enjoy your music.
  • 4 x 4 I/O.
  • Halo indicators that help you avoid clipping.
  • Exclusive software bundle, Focusrite Red Plug-In Suite, access to the Focusrite Plug-in Collective, and the Focusrite Hitmaker Expansion.
  • Direct Monitor circuit that helps monitor your input with very low latency.
  • Free 3-month Splice Sounds subscription that lets you explore new sounds and help fuel your creativity.
  • Measurements: 1.87” x 7.28” x 4.71″. Weight: 1.73 lb.

Pros:

  • Affordable.
  • Great build quality.
  • Compact and lightweight.
  • Exclusive software bundle.
  • Easy to use.
  • Super low latency.
  • Focusrite AIR mode.
  • Powerful and fast and delivers pristine sound.
  • Direct Input Monitoring.
  • Easy connectivity.

Cons:

  • Doesn’t support ADAT and S/PDIF.

Don’t be fooled by the price of the Focusrite Scarlett 4i4 3rd Gen. It is, without a doubt, one of the best budget audio interfaces you can find on the market, and you will be surprised by the performance of this interface which will undoubtedly surpass your expectations regarding sound quality and cost.

If you want a more affordable option, feel free to check out the Focusrite Scarlett 2i2 if you can settle for fewer inputs and outputs.

6. PreSonus Studio 1810c

If you’re looking for a highly versatile audio interface at a very reasonable price, look no further than the PreSonus Studio 1810c. This interface delivers exceptional audio quality and is jam-packed with amazing features that are incredibly useful for musicians, music producers, and mixing engineers everywhere. This interface is a perfect example of what PreSonus has to offer in terms of its high-quality preamps and stunning sound.

Main features/specifications:

  • Elite 24-bit/ 192 kHz A/D and D/A conversion for maximum performance and pristine sound.
  • USB-C connectivity for easy plug-and-play on your Mac or PC.
  • Four PreSonus microphone preamps.
  • 114 dB Dynamic Range (DAC), 103dB Dynamic Range (Headphone DAC), and 114dB THD+N: (ADC)
  • MIDI I/O for your controllers.
  • 2 Stereo headphone outputs to privately enjoy your music.
  • 18 x 8 Simultaneous I/O.
  • 4 x 1/4″ (line) and 2 x 1/4″ (main out) Analog outputs. 2 x XLR-1/4″ combo (mic/line/Hi-Z), 2 x XLR-1/4″ combo (mic/line), 4 x 1/4″ (line) analog inputs.
  • Supports both ADAT and S/PDIF.
  • Nearly zero latency and distortion due to the DSP-based monitor mixer.
  • A metal body with metal knobs that protect the interface from damage.
  • PreSonus Studio One Artist DAW included.
  • Measurements: 1.75″ x 12.5″ x 5.5″. Weight: 3.2 lbs.

Pros:

  • Good value for money.
  • Robust build quality.
  • Powerful and fast and delivers pristine sound with amazing preamps.
  • Extremely powerful onboard hardware DSP.
  • Highly versatile.
  • Nearly zero latency and distortion.
  • Front-panel metering.
  • Easy to use.
  • Easy connectivity.

Cons:

  • 1 x Optical (ADAT) in, no out.
  • Headphone port is in the back of the interface.

The PreSonus Studio 1810c is one of the few interfaces that offer so many features at such a low price. It is highly versatile and delivers pristine sound quality. You can even check out the Studio 24C, 26C, and 68C if you’re looking for a cheaper option with fewer features but the same audio quality, or the Studio 1824c if money is no object. However, we highly recommend Studio 1810c, and we guarantee that you will be more than pleased with the results of this fantastic interface.

7. M-Audio AIR 192|14

The M-Audio AIR 192|14 is the fourth and final model in the M-Audio AIR series that is absolutely jam-packed with features. It is class-compliant on Mac and perfectly compatible with Logic Pro X. It provides powerful sound thanks to its Crystal Preamps™, and is incredibly versatile.

Main features/specifications:

  • Elite 24-bit/192 kHz A/D and D/A conversion for maximum performance and pristine sound.
  • Four Transparent Crystal™ preamps.
  • 4 Analog inputs and 8 outputs.
  • Nearly zero latency for fast monitoring and processing.
  • USB-C connectivity for easy plug-and-play on your PC and MAC.
  • MIDI I/O for your controllers and synths.
  • 2 Stereo headphone outputs to enjoy your music privately.
  • 48V of phantom power. (Selectable On/Off)
  • VU LED meters.
  • Premium software suite including MPC Beats, the AIR Creative FX Collection Plus, 80 effect plug-ins, and many more.
  • Measurements: 3.24” x 10.2” x 7.44″. Weight: 3.9 lb.

Pros:

  • Good value for money.
  • Robust build quality.
  • Powerful preamps that deliver pristine sound.
  • Highly versatile.
  • Nearly zero latency and distortion.
  • Front-panel metering.
  • Easy to use.
  • Easy connectivity.

Cons:

  • Doesn’t support ADAT and S/PDIF.
  • No XLR monitor output.

The M-Audio AIR 192|14 is an excellent-sounding audio interface and a perfect choice for the intermediate producer. You will be surprised by this interface’s build and sound quality, and its versatility will give you the best bang for your buck.

Buying Guide

An audio interface is not something you should purchase on a whim. You don’t want to buy the first audio interface your eyes lay on, connect it to your computer only to discover that your DAW doesn’t support it or that the microphone input you were hoping to use for recording isn’t available. This is why there are a few factors to consider that will keep you from choosing the wrong audio interface. And some of these factors are:

Compatibility

Most audio interfaces are compatible with both Mac and Windows. However,  you should always check the interface’s specs before making your purchase to make sure it’s compatible with the Windows or macOS version required by your DAW, or in this case, Logic Pro X. You should also check the audio interface’s instructions in case any driver installation on your computer is required. Nevertheless, Logic Pro is compatible with all Core Audio-enabled audio hardware, including USB, Thunderbolt, FireWire, and PCI audio interfaces. In Mac, If you are looking for an interconnective technology, you should look for Thunderbolt

Input Types

Given that there are numerous types of inputs on an audio interface, it may be confusing for some people to look at the various inputs and not be overwhelmed. Which is why we’re going to go over a few of the most common inputs you will encounter on most audio interfaces and explain what they’re used for. We’ll use the Focusrite Scarlett 4i4 3rd Gen, one of the seven audio interfaces we selected today, as an example.

Front of the interface

Input type - Front of the interface

The Mic Input is pretty straightforward. It is where you plug in your microphone.

The Line Input is where you plug in your synthesizer or electric keyboard.

The Instrument Input is where you plug in your instruments, such as an electric guitar.

Many audio interfaces, like the Focusrite Scarlett 4i4 3rd Gen, will allow you to simply switch between Line Input and Instrument Input by pressing the “INST” button.

Back of the interface

Input Type - Back of the interface 1

There’s also the MIDI Input. It’s where you plug in your MIDI keyboard or instrument.

You will find these inputs on most beginner audio interfaces. So let’s look at additional input types that you might find on more advanced interfaces. We’ll use the Focusrite Scarlett 18i20 as an example.

Back of the interface

Input Type - Back of the interface 2

Optical Inputs (ADAT) are digital inputs that let you expand your recording by sending eight channels of information (or adding eight further inputs) by connecting another audio interface to your existing one.

The Word Clock Input allows you to synchronize your multiple audio interfaces and ensure they all work in harmony without causing any problems.

The SPDIF Input is similar to ADAT, but it can only carry two audio channels. You can use it to connect external hardware, such as a synthesizer.

Number of Inputs and Outputs

The number of inputs required is determined by the number of instruments, microphones, controllers, and monitors you intend to use. If you want to record a band, you’ll need at least 8 inputs to accommodate the guitarists, singers, drummer, and so on. If you’re a bedroom producer who wants to use their audio interface to create house or pop music and rely mostly on plugins and VSTs, two inputs may be more than enough.

Number of Outputs

However, your outputs depend entirely on how you intend to listen to your music. Is it via headphones? A pair of speakers? More than a pair? Also, if you’re recording a band, you might need to send a click track to your headphones while the music is played through your main speakers. So the more outputs or speakers you want to use, the more outputs you’ll need.

Portability

Unless you need an audio interface for just your studio, your only workspace, having a small, lightweight audio interface on hand is undoubtedly more practical. However, it is recommended that you go for an audio interface that is lightweight and small enough to fit in your backpack if you intend to travel or produce music outside your house or studio.

Mic Preamps

Most audio interfaces come with built-in preamps. They provide better sound quality, greater gain, less latency, and distortion, and are the main reasons music producers invest in an audio interface. So, while choosing your new audio interface, make sure its components and preamps are of excellent quality so you can efficiently boost instrument-level signals for a more dynamic sound.

Build quality

If you frequently tour and need to take your audio interface with you, you will undoubtedly need a robust interface. It is best to opt for an audio interface that is solidly built rather than one constructed of cheap plastics that will damage the interface if it accidentally gets knocked out. Remember that a poor-quality interface with weak switches and knobs will eventually affect your sound and start causing issues.

FAQ

Which audio interface supports Logic Pro X the best?

Logic Pro X is compatible with any audio interface that supports Core Audio, including USB, FireWire, Thunderbolt, and PCI audio interfaces. It also supports input up to a maximum sample rate of 192 kHz and a bit depth of 24 bits. Any audio interface that meets these requirements is fully compatible with Logic Pro X.

Will I Need Extra Drivers for Logic Pro X to Work with My Audio Interface?

Most audio interfaces don't require extra drivers to work with Logic Pro X. All you need to do is check the instructions that came with your audio interface to see if any additional drivers need to be installed and set up in the "Audio Devices" preferences.

Do audio interfaces improve sound quality?

Audio interfaces significantly improve sound quality. They have built-in preamps that boost your sound, add more gain, deliver a much more detailed and clearer sound without any distortion, reduce latency, and offer higher sample rates and bit depth. So if you’re looking to produce music, it’s better not to rely on your computer’s soundcard and search for a high-quality audio interface, possibly one of the seven we selected today, as it will deliver much better results and enhance your overall sound quality.

Conclusion

The seven audio interfaces we discussed today are all Logic Pro X compatible, ensure premium sound quality, and are of rugged build quality made to support you as you develop as a music producer. Although there are undoubtedly more affordable and more expensive options available, the interfaces we chose today are all high-quality sounding interfaces packed with features that won’t hurt your pocket.

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